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The Islands, by John Sakkis
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In John Sakkis's new book, hip hop and biography, both real and imagined, saturate travel on the islands
- Sales Rank: #3866484 in Books
- Published on: 2015-01-06
- Original language: English
- Number of items: 1
- Dimensions: 7.50" h x .30" w x 5.90" l, .0 pounds
- Binding: Paperback
- 88 pages
Review
“The Islands is melos, music in 5-part harmonic sequences, beginning with the once-upon-a-time of ‘one night, after the happily of dinner.’ So it’s the sound of story in lyric concretion, rhythmic concision, the atmosphere of film, the senses migrating from one section to another, punning ‘knot exactly.’ This book is a nostos, a welcome home event, and will be your favorite memory palace.” —Norma Cole
About the Author
JOHN SAKKIS is the author of Rude Girl (2009) as well as the chapbooks: RAVE ON!, Gary Gygax, The Moveable Ones, and Coast. With Angelos Sakkis, he has translated three books by the Greek poet Demothenes Agrafiotis, including Maribor, which won the Northern California Book Award, and Chinese Notebook. He works for Small Press Distribution and lives in Oakland.
Most helpful customer reviews
2 of 2 people found the following review helpful.
A Moveable Feast
By Kevin Killian
The poems of The Islands, Sakkis' longest and most complete version of his poetics, are by turns a complex and miraculously fluid set of lyrics, with narrative buried in them, sometimes deep under strata of time, sometimes in the shallowest of cuts, so that a child might run his fingers through the sand and pick up a star. Listening to Sakkis read his poetry, you get the sense on the one hand that he has a vatic vision, that his mouth is moving but another's voice is emanating from his throat, like Spicer's receiver, and at other times I feel like he is trying earnestly to explain to us what life is like on that other planet he hails from--David Bowie in The Man Who Fell to Earth, broken by the sense of Earth, by our requirements for nouns and verbs and image.
I have been reading his work for ten years now, maybe more, and I remember in his previous book RUDE GIRL how the final part was called "The Breakable Ones," with its suggestion of human fragility; and this volume, THE ISLANDS, ends with a poem called "The Moveable Ones (after Michael Palmer") and I see the question of fragility turning into one of modularity, like we're all chess pieces thrown this way and that way by an angry Bobby Fischer type of God. "We are at war/ on the floor," "We are at war/ near our face." The poem turns on the similarity of bridges to the curve of the body, first, of "head to ass," and later, of "scalp to ass," and how the excellence of the one turns into the fear of the other--elsewhere the "Disney/ arches of Munich." The little suffix "ing" that ends most gerunds pops up unconnected to a verb here and there, opening a line as if torn away from its agency, yet retaining the shape of its agent. These moves I interpret as signs of an increased confidence and surety, or perhaps a renewed belief that the shapes of things in the divination are coming to him more clearly. "Yesterday you met a young Benjamin/ over soapy Turkish coffee." This character, the young Benjamin, returns several times, and each time I understand more clearly that he, Sakkis, is the young Benjamin, or at least the young Benjamin Hollander.
I'm re-reading what I've written and I'm seeing that maybe it isn't very useful way of writing a review, but the fact is, the poetry of The Island while very beautiful is rather dense in syntax and in affect, as I can see my young colleague Mr. Krull has already said above, so it's hard to describe on a certain level--in such situations I have learned to go counterintuitive and paraphrase, translate, as the simplest and shiniest terms possible. It is a more political book than its predecessor, or indeed most poetry of today; it is a travel book and a guide to the Greek islands, if a twisted one; it is a book about love and loss; it is a work of Imagist genius; it is a book of family life and feeling deracinated and uprooted even in one's own shoes. Amazon has this new thing where when you swing your cursor through the stars--when writing a rating--you pass from one star to two, to three, and at each pass words appear to tell you what each rating might mean to a language-less person maybe? Anyhow when I go over to five stars these words appear, "I love it." I'm reading these signs that this book is really amazing. I love it.
3 of 3 people found the following review helpful.
Boom shakalaka...
By Logan Ryan Smith
John Sakkis's book-length serial poem, THE ISLANDS, is a rhythmical series about place, family, and friends. In it, I saw the influences of Benjamin Hollander, Norma Cole, Jack Spicer, Michael Palmer, and a slew of others, all the while remaining uniquely his own. His poetry is recognizable for having hard edges that, as a whole, flows smoothly. I think this comes from his appreciation for hip-hop and words that have weight--meat on their bones. Even the most skeletal of his poems feel fat and heavy. What strikes me about this book, too, is the mysterious dreamlike quality it creates (which makes me think of John Ashbery), all the while seeming firmly rooted in the real-world and real-life events and occurrences. A pleasure to read.
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