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Bhanu Kapil's Ban en Banlieue follows a brown (black) girl as she walks home from school in the first moments of a riot. An April night in London, in 1979, is the axis of this startling work of overlapping arcs and varying approaches. By the end of the night, Ban moves into an incarnate and untethered presence, becoming all matter— soot, meat, diesel oil and force—as she loops the city with the energy of global weather. Derived from performances in India, England and throughout the U.S., Ban en Banlieue is written at the limit of somatic and civic aims.
- Sales Rank: #574748 in Books
- Brand: Kapil, Bhanu
- Published on: 2015-01-06
- Original language: English
- Number of items: 1
- Dimensions: 7.27" h x .31" w x 7.03" l, .0 pounds
- Binding: Paperback
- 88 pages
About the Author
BHANU KAPIL is the author of four previous works of poetry/prose: The Vertical Interrogation of Strangers (2001), Incubation: a space for monsters (2006), humanimal [a project for future children] (2009), and Schizophrene (2011). She maintains a widely read blog on social incubation, prose experiments, and dogs: Was Jack Kerouac A Punjabi? She lives in Colorado, where she teaches at Naropa University.
Most helpful customer reviews
0 of 0 people found the following review helpful.
This is a novel for the 21st Century and beyond.
By Masha Jennings
I offer no apologies to others who felt deceived by the word 'novel'. This is 2016, the novel is not what it was in 1842 (*Shock*).
Here Bhanu Kapil has assembled a collection of notes and performances, archives, etc.; all centered around a fictional character whose story is told through the device of these sections of various type. These should be of interest to anyone who is interested in writing generally, but especially to anyone who is interested in poetry and fiction and how the two can, and certainly do, collide and create within eachother.
This is a novel for the 21st Century and beyond.
9 of 15 people found the following review helpful.
Fragmented, figurative notes for a novel, seemingly presented in the unedited jumble she found them in
By Brave New Bookshelves
Note: This review purposely attempts to mimic the style of this book.
Review, March 2016.
No, I don't think so. Ban lies naked on my coffee table, a wooden tray on a leather ottoman. Maureen covers it with a tray of paper. No one takes off their clothes. But we -- eat -- chew -- blink -- ignore -- [hold up cookies in our fists] "What kind of book is this, ma'am?" And all I see is pink. Pink lightning arcing toward the soot-covered ground.
At 7:40 p.m. I began to write -- but did not write. What would I have written if I had read a different book? It is interesting to write a review that failed. But I did not write a review. I am interested in reviews but not in the vulnerable way that most reviews open a carcass to the air and let it rot. Let small black intestines writhe from her stomach. Let them dissolve into the asphalt as an oily residue. I laid down -- curled on my side -- considered -- the cats are confused and extend small pink tongues to lick the tile -- the charcoal -- the outline of her body is mine. Then I stopped writing. I did not ever start.
I analyze my glimpse of incoherence.
From one angle, it is beautiful. It gleams with bizarre images. Performance art -- reduced -- to poetry. But trying to be a novel, it blackens, oozes. Becomes a mixture of dog s*** and bitumen (ash). A girl walks home in the first few moments of a race riot and I am confused. I want to know what happens. Everything happens, and because everything happens, nothing happens. When it was time for such a thing, I could not bear to pick up the book.
She is naked on many pages and in many cities and I don't understand why. Nobody seems to see someone do this. Exhibitionism is the wrong answer but the colors all fit, or they are unfamiliar pinks. I want to feel the taste of logic on my tongue but is it copper wire? Is there a groin? [There are crackers on the table]
1 of 7 people found the following review helpful.
I wanted to read a book-- NOT a book about trying unsuccessfully to write a book.
By AKH
I don't think this book should be called a novel. It's more like notes for or pieces and fragments of a novel, as well as some sort of diary about the author's art. A novel is supposed to have certain elements that this "book" just doesn't have at all. In fact, it seems to mock the fact that it knows it doesn't have these elements. At one point more than half way through the book, the author says she feels sorry for the reader for having read this far when there's nothing there!
I read this book because it was a candidate in the 2016 Tournament of Books and I'm rather mad at the contest for including it. I don't understand why they thought anyone would want to read this "book." There are some well-written and memorable lines but most of it doesn't make sense. The book has an interesting premise-- it claims to follow a brown (black) girl as she walks home from school in the first moments of a riot, as well as a protester who dies at the hands of police during a London riot in April of 1979.
But the girl is mentioned so much in the same way over and over again and nothing is ever resolved. So is some girl named "Ban," a different but seemingly related character the author keeps trying to write about but admits she can't, so she just throws a bunch of notes in there about what she would write about if she could, what she wrote about and chopped up or deleted after saving into some other file (?), and art she made in Ban's honor and where it was performed or displayed. Whereas the protester guy is barely mentioned at all.
I'm sure there's some larger piece of the puzzle I'm missing, some statement the book is trying to make but I didn't get it and just didn't care. The author talks a lot about how hard it is to fit what one wants to say into a novel, and how she's not used to that medium because she's a poet. Which made me want to ask her, okay then, why are you wasting my time with this self-absorbed drivel you know isn't a novel and that you admit you couldn't write the way it should be written?
This book made me so mad that I don't even want to write about it any more. The only good thing about it was that it was very short-- and of course, many of the last pages were full of acknowledgements and gratitude to people and foundations who for whatever reason thought it was a good idea to help this author publish this "book." There were also more notes about the notes that were the "novel."
I hate to not finish books and I only finished this one because it was so short and I was hoping I would find something redeeming in it. (As if it's not obvious by now, I did not.) I very rarely give any book 1 star but that's how much I disliked this book. It was not my cup of tea-- and not my type of "novel."
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