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Crow-Work: Poems, by Eric Pankey
Download Ebook Crow-Work: Poems, by Eric Pankey
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“What is a song but a snare to capture the moment?” Eric Pankey asks in his new collection, Crow-Work. This central question drives Pankey’s ekphrastic exploration of the moment where emotion and energy flood a work of art. Through subjects as diverse as Brueghel’s Procession to Calvary, Anish Kapoor’s Healing of Saint Thomas, Caravaggio’s series of severed heads, and James Turrell’s experimentation with light and color, the author travels to an impossible past, despite being firmly rooted in the present, to seek out "the songbird in every thorn thicket" of the artist's work. Short bursts of lyrical beauty burn away “like coils of incense ash,” bodies in the light of a cave flicker, coalesce and disappear. By capturing the ephemeral beauty of life in these poems, Crow-Work seeks not only to explain great art, but also to embody it.
- Sales Rank: #1571620 in Books
- Published on: 2015-01-20
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 4.75" w x .25" l, .0 pounds
- Binding: Paperback
- 96 pages
Review
Advance Praise for Crow-Work
“Eric Pankey’s sensibility is an unerringly generous one: he is always willing to step first onto unsteady ground, to test it for those who might follow. The poems of Crow-Work, like good gleaners, seek out possibility and sustenance. They are skilled, deft, and dazzlingly alert. Just when I think they have brought me as close as possible to the dark and unknowable things that make awe possible, they bring me closer. The journey is unnerving, intimate, and thrilling.”
—Mary Szybist
"The delicacy and accuracy we have come to expect from Eric Pankey are here on display and as deftly deployed as ever. Pankey remains one of our leading practitioners of the metaphysical poem."
—C. Dale Young
Select Praise for Eric Pankey and Previous Works:
“Pankey's poems, whether lyric or prose, are touching, sincere, and sublime and work well as a whole.”
—Library Journal
“Eric Pankey is a poet of precise observation and startling particularities."
—Jane Hirshfield
“In language that is always elegant, complex, and rigorously truthful, Eric Pankey transfixes us with glimpses of what we can never fully know.”
—Chase Twichell
About the Author
Eric Pankey is the author of ten collections of poems. His 1984 release, For the New Year, was selected as the winner of the Walt Whitman Award. The 2013 collection, Dismantling the Angel, won the New Measure Prize. His poetry, essays, and reviews have appeared widely in such journals as The Iowa Review, The New Yorker, and the Kenyon Review. Pankey is Professor of English and Heritage Chair in Writing at George Mason University. He currently resides in Fairfax, VA.
Most helpful customer reviews
1 of 1 people found the following review helpful.
One of the best poets out there
By J from NY
Pankey's poems could be compared to spells found in the diary of an empathetic hermit. He is following his own psychic thread, refining it and reconciling it with the language of his readers.
In this collection he explores the aesthetic process itself, the alchemical union of inspiration and Apollonian creation.
STUDY FOR SALOME DANCING BEFORE HEROD
"In the movement toward disappearance,
She is pulled by an undertow of ecstasy.
She wakes in a room where she never fell asleep.
A thousand starlings leaf out a bare tree.
She wakes in a dusky, tenebrous zone.
Evening on the ridges and in the mountains,
But light still spills on the valley floor.
What transport brought her here?
The shape of gravity embodies apron the table.
Here times the only sovereign.
She is like an arrow slipped from its quiver."
He gets better and better, though I'm puzzled as to why he is continually referred to as a "metaphysical" poet.
Recommended for all lovers of poetry.
0 of 0 people found the following review helpful.
A collection that highlights the contrast between lushness and fugue
By C. D. Varn
Pankey is a poet whose can pair the implied silence with the humble musicality of his work, lush evocation of the natural world with the alienation of abstraction, concise imagines with hazy memories. These are not new themes or tactic's in Pankey's work, but they are on particular display here.
Pankey's lyric narrator is effusive, and his ambivalent is seen immediately. Opening with the poem, "Ash," the elliptical nature of the collection is given in the first few lines: At the threshold of the dive, how to know/but indirectly," and we know immediately that what is not said in Pankey is as important as what is said. Interestly, Pankey's lyrics are spiritual and fugue-like, with the ponderous yet disciplined musing that can remind one of Geoffrey Hill.
Pankey is not as unforgiving as Hill or post-modernist, as he does allow his musings to give the reader directions on how to read him: “the present leaks into the past, tinctures it./ A poem is not a séance and yet how quickly the shades crowd in/ Expecting elegy and lamentation.” The allusions are heavy: Buddha, Zhang Huan., Desert Fathers, and Giorgio Morandi. Yet allusions aid the allusiveness of the poetry and mirror the style.
This is most pronounced in the longer poem, Fragments, where Pankey really shines on his fugues on memories. Indeed, this is Crow-Work, cawing at you as both something you recognize and something alien: wild and intelligent, symbolically on at the gate of death and still in the world of the living.
A very strong collection.
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