PDF Ebook Doll God, by Luanne Castle
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Doll God, by Luanne Castle
PDF Ebook Doll God, by Luanne Castle
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Winner of the New Mexico-Arizona Book Awards, Doll God, studies traces of the spirit world in human-made and natural objects--a Japanese doll, a Palo Verde tree, a hummingbird. Her exploration leads the reader between the twin poles of nature and creations of the imagination in dolls, myth, and art.
"Every day the world subtracts from itself," Luanne Castle observes. Her wonderfully titled collection, Doll God, with its rich and varied mix of poems part memoir, part myth and tale, shimmers as it swims as poetry is meant to, upstream against the loss.
--Stuart Dybek, MacArthur Fellow and author of Streets in Their Own Ink
In her haunting first collection, Luanne Castle has created a space where "the sounds / of the schoolchildren / and the traffic / grind down / to nothing" and where the reader is invited to experience the lasting echo of our primal human past. Who makes our toys, and why? Which toys and in whose likeness? With startling imagery and a keen eye for the subtler shapes of violence and redemption, Castle asks us to consider and re-consider these questions. Like a "world of broken mirrors waiting" the poems call us back to ourselves, our childhoods, and the potential rewards of prayer and reflection. I find both hope and despair in these pages, where "every day the world subtracts from itself and nothing / is immune," and every object contains a voice and a story. This is a fierce and beautiful book.
--Caroline Goodwin, author of Trapline
Luanne Castle's new collection, Doll God, is sublime. The manner of these poems--that they embrace the doll and bring to it humanity and divinity--is something to behold. The voice in these poems is tender, visceral, and wonderfully human. Ms. Castle has forged a vision that feels like something you want to dance with, dress up, talk to like a child, but with an adult's sensibility. I love these poems with my whole heart because they make me feel both childlike and grown, simultaneously. Doll mistresses, primordial conches, Barbies, infuse these poems with tremendous humanity, and they delight with purpose, sadness and joy, and an incredible range that will leave you breathless.
--Matthew Lippman, author of American Chew
- Sales Rank: #1687415 in Books
- Published on: 2015-01-10
- Original language: English
- Dimensions: 9.00" h x .20" w x 6.00" l,
- Binding: Paperback
- 86 pages
About the Author
Luanne Castle has been a Fellow at the Center for Ideas and Society at the University of California, Riverside. She studied English and Creative Writing at the University of California, Riverside; Western Michigan University; and Stanford University. Her poetry and creative nonfiction have appeared in Barnstorm Journal, Grist, The Antigonish Review, TAB, River Teeth, Lunch Ticket, Wisconsin Review, and other journals. She contributed to Twice-Told Children's Tales: The Influence of Childhood Reading on Writers for Adults, edited by Betty Greenway. Luanne divides her time between California and Arizona, where she shares land with a herd of javelina.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Luanne Castle's DOLL GOD
By Carla Ann McGill
I just finished my second, in-depth reading of DOLL GOD, Luanne Castle’s 2015 collection of poems, and the journey has been vivid, soul-stirring, and potent. A poet and routine reader of poetry, I was nonetheless caught off guard by the precocity of the speakers and the range of subjects. The extraordinary imagery sometimes has the effect of an ambush, and a few times I had to put the book down just to ponder and process my reaction. These poems pack a punch.
For example, “Pastoral,” features the speaker finding a doll in the mud. The phrasing should jolt the reader a little, as it is “Not a baby/face down in the mud.” After telling us about the doll, the speaker describes the sky:
An avalanche of light heals the sky,
its bruises lighten from dark gray
to slate blue to green.
The speaker thinks about pulling the doll out of the mud, but asks, “What will I do/with her? Her hair so tangled,/costume ruined . . . .” The doll is “no longer fit/for display.” Here’s the punch: “No child at hand.” Suddenly, we are pulled from the loss of a doll to the absence of children. Just as the opening line was our bait, the last line hooks us, and we are caught.
“Harpies,” a kind of sister poem to “Pastoral,” also features a baby theme, as the speaker attempts to move away from the mothers who surround her, who “intrude on our scheme.” These mothers/harpies “remember nursing their own,/tucking their wings, and see/I’m not.” At the heart of this poem is a fear of a curse, the awareness that a baby who is not being nursed for one reason or another, is doomed to a dark fate.
I’ve got to get you away from them.
All the signs were there:
You were born into grief.
Clawed toes, perched on your crib rail,
Your hook-like cries.
In four parts, the collection makes a gradual shift from poems about dolls or fairy tales to poems about family and nature, though the sections are not distinctly divided by theme or subject. All free verse, the poems are tightly constructed. Each line seems calculatingly deliberate. Some have capitalization and punctuation, while others do not. The titles, to me, are riveting: “Doll God,” “A Bone Elegy,” and “The Half-Undressed Madame Alexander Doll: A Diorama.”
The world of this collection is both borderline Gothic and uncomfortably Victorian, filled with dolls that speak, ghosts of lost pets, and memories that seem like nightmares or dreams. The poems often have unexpected word choices that provide delight for lovers of poetry. I had to look up several words, especially some of the proper nouns. I can testify that something has been changed within me after reading these. I have loved the adventure!
7 of 7 people found the following review helpful.
Entrancing!
By G. Edmonds
I loved poetry when I was young, but it had been awhile. A friend recommended Doll God and I thought it was wonderful. I found it easy to read, yet complex emotionally. It's hard to describe.... abstract in a very visual, relatable way. It left me wanting to know more about the author, but also reflecting on periods in my own life that I hadn't thought about in years. Luanne Castle writes beautifully, and I hope there will be more to come.
5 of 5 people found the following review helpful.
Beautiful and Haunting
By Darlene @ Peeking Between the Pages
Doll God by Luanne Castle is a collection of poetry that is haunting and sometimes dark and yet hopeful speaking to your heart and soul. I’m no expert on poetry as most who read my blog know but I’m opening my heart to it and learning to experience it if that makes sense and hopefully others like me will do the same. I’m thoroughly enjoying delving more and more into the beautiful world of poetry.
This collection takes us on a journey through many emotions and stages like loss, sickness, marriage, divorce, and motherhood. The poems are very vivid and bring to life an image very clearly in your mind. Most of the poems deal with dolls whether they be beautiful or in decay and take us through some point in time bringing forth in us emotions that reflect our innermost thoughts that are never spoken aloud.
Like the author I love dolls. I used to collect porcelain ones and I had my walking doll that I idolized when I was younger. As I read through these poems I kept reflecting and imagining the lives of my old dolls and I think that’s what I liked so much about this collection. As a child your dolls always have these lives – sometimes better than yours, sometimes worse – but through our imagination we could go anywhere with them.
The poetry of Doll God speaks to the heart whether it be through dolls or the human condition. It makes you feel emotion whether good or bad and I think that’s what poetry is about. I think it’s important as well that a poem speaks to everyone differently. While I may not always get the meaning the author was trying to convey I do feel the emotions that are portrayed that lead me to either like a piece or not like it. For me, Luanne Castle’s collection spoke to me emotionally and that’s what this newbie looks for when reading poetry!
To end I’d like to share a favorite poem with all of you…
Calculating Loss
Birds have the number sense
to know when an egg in a nest
of five goes missing.
If you have four chairs in the kitchen you don’t have to count
to know
one has been taken away,
to realize one car
cools in the double garage.
Every day the world subtracts from itself and nothing is immune.
Not these pebbles from our walks along the lakeshore: pebbles you collected
in this jar which
remains half full,
though for some reason I think of it as overflowing.
(from Doll God by Luanne Castle)
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