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Questions of Travel, by Elizabeth Bishop
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The publication of this book is a literary event. It is Miss Bishop's first volume of verse since Poems, which was awarded the Pulitzer Prize for Poetry in 1955.
This new collection consists of two parts. Under the general heading "Brazil" are grouped eleven poems including "Manuelzinho," "The Armadillo," "Twelfth Morning, or What You Will," "The Riverman," "Brazil, January 1, 1502" and the title poem. The second section, entitled "Elsewhere," includes others "First Death in Nova Scotia," "Manners," "Sandpiper," "From Trollope's Journal," and "Visits to St. Elizabeths." In addition to the poems there is an extraordinary story of a Nova Scotia childhood, "In the Village."
Robert Lowell has recently written, "I am sure no living poet is as curious and observant as Miss Bishop. What cuts so deep is that each poem is inspired by her own tone, a tone of large, grave tenderness and sorrowing amusement. She is too sure of herself for empty mastery and breezy plagiarism, too interested for confession and musical monotony, too powerful for mismanaged fire, and too civilized for idiosyncratic incoherence. She has a humorous, commanding genius for picking up the unnoticed, now making something sprightly and right, and now a great monument. Once her poems, each shining, were too few. Now they are many. When we read her, we enter the classical serenity of a new country."
- Sales Rank: #1312862 in eBooks
- Published on: 2015-01-13
- Released on: 2015-01-13
- Format: Kindle eBook
Most helpful customer reviews
2 of 5 people found the following review helpful.
In adopting a Latin American setting, Bishop's poetry regrettably loses more than it gains
By Christopher Culver
Elizabeth Bishop's first two collections were written during the poet's early life ranging up and down the Eastern Seaboard, the observational poems within are inspired by experiences in Nova Scotia, New England or Florida. Her third collection QUESTIONS OF TRAVEL is very different indeed, for in late 1951 at the age of 40, Bishop set off for Brazil (where she would remain for 15 years) after beginning a relationship with the architect Lota de Macedo Soares. Suddenly Bishop's careful eye came to focus with ethnographical curiosity on South America.
Indeed, the very first poem in the collection recounts the arrival of Bishop's steamer in the Brazil port city of Santos:
"Here is a coast, here is a harbor / here, after a meager diet of horizon is some scenery: / impractically shaped and -- who knows? -- self-pitying mountains / sad and harsh beneath their frivolous greenery. ... Oh, tourist / is this how this country is going to answer you / and your immodest demands for a different world, / and for a better life?"
Once Bishop landed, local colour took over her poetry. There are two poems on squatters settling around Rio de Janeiro, a long ballad on a notorious criminal that escaped prison and was shot by police in his home shantytown he fled to for refuge, and mentions of indigenous Amazonian practices.
Not all of the book is set in Brazil, however. The second half of the book is titled "Elsewhere" and consists of poems and recollections from the United States. Probably the most famous poem in the book, and in Bishop's entire career, is "Visits to St. Elizabeth", written when Bishop was Poet Laureate at the Library of Congress and often went to see Ezra Pound, then locked up in an insane asylum. Bishop casts the poem in the form of the children's rhyme "This is the house that Jack built":
" This is the house of Bedlam. This is the man that lies in the house of Bedlam. This is the time of the tragic man that lies in the house of Bedlam. This is a wristwatch telling the time of the talkative man that lies in the house of Bedlam. This is a sailor wearing the watch that tells the time of the honored man that lies in the house of Bedlam. ... This is a Jew in a newspaper hat that dances carefully down the ward, walking the plank of a coffin board with the crazy sailor that shows his watch that tells the time of the wretched man that lies in the house of Bedlam."
But the material in "Elsewhere" is mainly concerned with Bishop's childhood, which was a sad one as her father died early and her mother went mad and had to be institutionalized, leaving Bishop to be brought up by her parents in Nova Scotia. The prose piece "In the Village", the only one in this book and the first to ever appear in a Bishop collection, is an episode from that Nova Scotia childhood (with the madness of her mother lurking always in the background) and captures remarkably well the wonder children feel when the world around them is so big and foreign. "In a Filling Station", "First Death in Nova Scotia" and "Sestina" also look back to a childhood before 1920 or so.
I must admit, I was disappointed by this third collection by Bishop after loving A COLD SPRING and POEMS FROM NORTH AND SOUTH. Bishop gets so caught up in South American exotica that the poems lack the more universal meanings. Plus, the Brazil poems are long-winded and don't have the concision of earlier Bishop. I've started wondering if drink (Bishop had a lifelong struggle with alcoholism) was starting to have a detrimental effect on her poetry. In any event, the best introduction to Bishop is the Library of America volume of poems, prose and letters, and if you get that, you'll have QUESTIONS OF TRAVEL too.
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